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Dark Days: A photo essay by Brendan Beirne
https://australian.museum/learn/first-nations/dark-days-brendan-beirne/Photographs by Brendan Beirne capture the scenes of horrific atrocities committed by white settlers against Indigenous people in the 18th and 19th centuries.
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Aunty Barb McGrady photographs
https://australian.museum/learn/first-nations/aunty-barb-mcgrady-photos/A proud Gomeroi/Gamilaraay Murri yinah (woman), Aunty Barbara has documented important social, political, and cultural events over thirty years.
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Brewarrina Boy
https://australian.museum/learn/first-nations/sydney-elders/brewarrina-boy/For many Indigenous artists, to take up photography as an art form was often a conscious move to counter this history of the medium.
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The Visionary
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-visionary-man/I was diagnosed by Fred Hollows and he told me that I had a form of macular degeneration, which meant that my eyesight would gradually be lost.
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Photography
https://australian.museum/about/organisation/media-centre/brand/photography/Guidelines for shooting photography
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Honorary Pom
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-honorary-pom/They could tell you how many sheep there were in Australia, they could tell you how many cattle. Yet they couldn’t tell you how many Aboriginals there were, because we weren’t allowed to vote.
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Freshwater Saltwater
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-freshawater-saltwater/Kay Sadler was unaware that she was Aboriginal until her early twenties, making her emotional journey to connect to culture as painful as her physical pain from Marfans Syndrome.
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Maralinga
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-maralinga/In the 1950s there was British Government and the Australian Government made an agreement to have bomb testing in Australia. Not far from here. I was only a little kid.
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Sound of Silence
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-sound-of-silence/I didn’t want to accept the fact that I was deaf, ’cause I wanted to be a hearing person so I could fit in with their world.
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The Activist
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-the-activist/I am the mother of a 2-year-old boy with achondroplasia, which is the most common form of dwarfism.
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Ramses & the Gold of the Pharaohs
Special exhibition
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Wansolmoana
Permanent exhibition
Open daily -
School programs and excursions
Virtual excursions
Educator-led tours -
Burra
Permanent education space
10am - 4.30pm